

Aarau
Your child becomes the hero of a story set right here in Aarau — at the city's real landmarks, in the familiar streets, in front of the buildings they know from everyday life.
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Or become part of the history of Aarau
Below you find the historical tales of Aarau — from old legends to famous local events. Create a free account, pick one as your starting point, your child takes a role inside it.
Historical tales from Aarau
Real stories from the past of Aarau — pick one and your child takes a role
The painted sky that told secrets
A child discovers that one Dachhimmel painting on Rathausgasse changes at night, revealing a hidden message from a 16th-century craftsman about a treasure beneath the old town. As they decode the shifting patterns, they learn the stories of the tradespeople who once lived and worked beneath Aarau's painted eaves.
Historical contextCreate This Story
Aarau's old town has approximately 90 buildings with richly painted eaves called Dachhimmel (literally 'roof heavens') -- the painted undersides of protruding roof eaves. This tradition dates to the 16th century, when prosperous citizens decorated their homes with geometric patterns, floral designs, and allegorical scenes. The subject matter often indicated the trade carried out under that roof. The finest concentration is found along the Rathausgasse. Aarau is nicknamed 'Stadt der schoenen Giebel' (City of Beautiful Gables).
Einstein and the light that wouldn't stop
Young Albert, lonely and homesick at the Winteler house, chases a beam of light through Aarau's streets one evening and discovers that if you run fast enough, time itself stands still. Through this magical retelling of the famous 'Aarau Question,' a child learns that the biggest ideas in science can start with the simplest question asked by a curious teenager.
Historical contextCreate This Story
In autumn 1895, 16-year-old Albert Einstein enrolled at the Alte Kantonsschule Aarau after failing the entrance exam for Zurich's Polytechnikum. He boarded with Dr. Jost Winteler and his family at Laurenzenvorstadt 119. During his year in Aarau, Einstein asked himself: 'If one chases a light wave at the speed of light, one would have a time-independent wave field ahead of oneself. But such a thing does not seem to exist!' He later called this his 'first childlike thought experiment about special relativity' -- the 'Aarau Question'. His 1896 Matura exam results were the highest in his class.
Five months as the capital
It is April 1798, and a child watches the tree of freedom go up in Aarau's main square as Switzerland's very first national parliament convenes in the Rathaus. The child befriends a young delegate brimming with revolutionary ideals, only to say a bittersweet goodbye just five months later when the capital moves to Lucerne and Aarau's brief moment of glory fades into history.
Historical contextCreate This Story
On 22 March 1798, Aarau was declared the provisional capital of the new Helvetic Republic after the Old Swiss Confederacy collapsed following the French victory at the Battle of Grauholz near Bern. On 12 April 1798, the National Assembly held its inaugural session in the Aarau Rathaus. The executive Directorate governed from the Haus zum Schlossgarten. Aarau was chosen for its central location and its citizens' revolutionary enthusiasm. However, the city's infrastructure proved inadequate, and by September 1798 the capital moved to Lucerne -- ending Aarau's reign after roughly five months.
The underground waterwheel
A child sneaks into the Meyersche Stollen and discovers the enormous wooden waterwheel still turning in the dark, powered by a mysterious underground river. Deeper in the tunnels, they encounter the ghost of Johann Rudolf Meyer, who jealously guards the secret of his 2,000-metre labyrinth -- the greatest engineering project nobody was ever supposed to know about.
Historical contextCreate This Story
The Meyersche Stollen is a network of underground tunnels beneath Aarau built by industrialist Johann Rudolf Meyer (1768-1825). After studying mining technology at Goettingen and Freiberg, Meyer devised a plan to collect groundwater via tunnels since surface water rights along the Aare were already allocated. Starting around 1800, approximately 2,000 metres of tunnels were excavated. At the heart of the system stood a massive underground wooden waterwheel 9.75 metres in diameter, powering silk ribbon looms above -- yet generating only 3-4 horsepower. Meyer never obtained official permission, keeping the project largely secret. The tunnels were rediscovered by archaeologists in the 1990s.
The tower that remembers
The Oberer Turm has watched over Aarau for 800 years. When a child touches the 1532 clockwork mechanism, they are transported to different eras: the Kyburg founding around 1240, the Bernese conquest of 1415, the revolutionary fervour of 1798, and the day young Einstein arrived in 1895. Each era leaves a mark on the tower's ancient stones.
Historical contextCreate This Story
The Oberer Turm (Upper Tower) in Aarau was built around 1250 and stands approximately 62 meters high with walls about 2 meters thick at the base. Originally the main gate tower at the city's highest point, it was part of a fortification system including three other towers. In 1532, clockmaker Hans Lutherer installed the iron clockwork. The lower floors served as prison cells until 1890. In 1966, Aarau-born artist Felix Hoffmann (1911-1975) painted a large exterior mural depicting a Dance of Death (Totentanz). The tower offers a 144-step climb to panoramic views.
The gable painter's apprentice
In 17th-century Aarau, a child must paint the most beautiful Dachhimmel in the city to win a master painter competition and save their family's workshop. But the paints have a mind of their own -- each colour insists on telling its own story, and the child must listen to all of them before the eaves will reveal their true masterpiece.
Historical contextCreate This Story
The Dachhimmel tradition in Aarau's old town dates to the 16th century. The paintings display geometric patterns, floral designs, and allegorical scenes -- the subject matter often indicated the trade carried out under that roof. In the pious 17th and 18th centuries, religious and biblical motifs became popular. Each Dachhimmel was a visible sign of the owner's prosperity and civic pride -- a unique form of architectural self-expression found nowhere else in Switzerland at this density. The majority of surviving paintings date from 20th-century restorations, though older originals occasionally emerge during facade renovations.
The map that came alive
A child finds a sheet from the Meyer-Weiss Atlas in the cantonal library. The mountains begin to rise from the paper, glaciers glisten, and rivers flow across the desk. The child must help the Meyer brothers navigate the treacherous Oberaletsch Glacier and reach the summit of the Jungfrau before the map folds shut and traps them all inside.
Historical contextCreate This Story
Johann Rudolf Meyer the Elder (1739-1813), a wealthy Aarau silk manufacturer, financed the Atlas Suisse (Meyer-Weiss Atlas) -- the first scientifically surveyed map covering all of Switzerland. He engaged geometer Johann Heinrich Weiss of Strasbourg, with baseline measurements by Johann Georg Tralles. The 16-sheet atlas was published between 1796 and 1802 and remained the most accurate map of Switzerland until the Dufour Map of 1864. His sons Johann Rudolf Meyer (1768-1825) and Hieronymus Meyer organised the first ascent of the Jungfrau (4,158 m) on 3 August 1811.
The Stadtkirche windows wake up
At midnight, the figures in Felix Hoffmann's stained-glass windows step out of their coloured glass panels and wander through the darkened Stadtkirche. A child who has fallen asleep in a pew must guide the luminous figures back into their windows before dawn, learning along the way the stories of Aarau's Reformation and the twelve altars that were lost forever in 1528.
Historical contextCreate This Story
Aarau's Stadtkirche (Reformed City Church) is a Late Gothic three-aisled basilica built between 1471 and 1478, constructed from stone blocks sourced from the demolished Goesgen Castle. During the Reformation of 1528, twelve altars and religious images were destroyed. In the 20th century, the choir received six acclaimed stained-glass windows by Aarau-born artist Felix Hoffmann (1911-1975) -- three created 1940-1943 and installed in 1948, and three more added in 1953. The Stadtkirche is classified as a Swiss cultural asset of national significance.
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