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St. Gallen — St. LaurenzenSt. Gallen — Stiftskirche

St. Gallen

Your child becomes the hero of a story set right here in St. Gallen — at the city's real landmarks, in the familiar streets, in front of the buildings they know from everyday life.

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Or become part of the history of St. Gallen

Below you find the historical tales of St. Gallen — from old legends to famous local events. Create a free account, pick one as your starting point, your child takes a role inside it.

Historical tales from St. Gallen

Real stories from the past of St. Gallen — pick one and your child takes a role

The bear who built a fire

The legend of Gallus retold from the bear's perspective: a curious bear in the dark Steinach forest encounters a strange, calm man who asks for firewood instead of running away, and offers a loaf of bread in return. Through the bear's eyes, a child discovers how one quiet act of trust between man and animal gave birth to the city of St. Gallen.

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Around 612 AD, the Irish monk Gallus fell ill and was left behind near Arbon on Lake Constance while his companion Saint Columbanus crossed the Alps into Italy. Once recovered, Gallus retreated into the wild Steinach valley and established a hermitage. According to the beloved 9th-century account, when Gallus sat by his campfire one night, a wild bear emerged from the forest. Rather than fleeing, Gallus commanded the bear to fetch wood for the fire; the bear obeyed, and in return Gallus gave it a loaf of bread. The bear appears on the city's coat of arms to this day.

The library where books heal

A child reads the Greek inscription above the abbey library door and steps inside to find that each ancient manuscript holds a magical cure: one book mends broken bones, another heals homesickness, and a third repairs a broken friendship. But the library's greatest healing power lies in a 1,200-year-old manuscript that no one has dared to open.

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The Stiftsbibliothek (Abbey Library) of St. Gallen is one of the oldest monastic libraries in the world. Above the ornate Baroque portal, carved in 1781 by Franz Anton Dirr, is the Greek inscription PSYCHES IATREION, meaning 'Healing Place of the Soul', echoing an inscription at the ancient library of Ramesses II in Thebes. The magnificent Rococo hall was designed by Peter Thumb and built between 1758 and 1767. The collection holds nearly 170,000 volumes, including 2,100 manuscripts dating from the 8th to 15th centuries.

The Plan that was never built

A child finds the 1,200-year-old Plan of Saint Gall in the abbey library and is magically transported into the ideal monastery it depicts. Exploring the brewery, the herb garden, the infirmary, and the scriptorium, the child meets the monks who dreamed it up and must help them solve one final design problem before the parchment's magic fades.

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The Plan of Saint Gall (c. 820--830) is the only surviving major architectural drawing from the roughly 700-year period between the fall of Rome and the 13th century. Drawn in red and brown ink on five parchments sewn together (113 x 78 cm), it depicts an ideal Benedictine monastery with church, workshops, brewery, infirmary, stables, and a building for bloodletting, designed to house 110 monks, 115 lay visitors, and 150 workers. Dedicated to Abbot Gozbert, it was never actually built. It is catalogued as Codex Sangallensis 1092.

The embroidery that dressed a queen

A young girl in 1900s St. Gallen learns to operate an embroidery machine, and the lace she creates travels across Europe to adorn the gown of an empress. Following the fabric's journey from the Steinach valley to a Parisian ballroom, the child discovers how a single thread from St. Gallen once connected a small Swiss city to the courts of the world.

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St. Gallen's textile tradition stretches back to the Middle Ages. Around 1850, embroidery replaced cotton as the dominant industry, fuelled by the invention of hand-embroidery machines. A ball gown made with needlepoint lace is said to have belonged to Empress Eugenie, wife of Napoleon III. Around 1910, embroidery was the largest export branch of the Swiss economy, accounting for 18% of total Swiss export value, and more than 50% of world embroidery production came from St. Gallen. World War I brought catastrophic collapse, with exports falling from 5,899 tonnes in 1913 to just 640 tonnes in 1935.

The 111 windows that tell stories

Each oriel window in the Old Town holds a frozen scene from the past. When a child touches the carved Camel Oriel on Spisergasse, the stone camel comes alive and leads a tour through the streets, with each of the 111 named oriels revealing a different chapter of the city's history -- from linen merchants to embroidery queens to the monks who started it all.

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St. Gallen's Altstadt (Old Town) is famous for its 111 beautifully preserved Erker (oriel windows), ornate bay windows projecting from upper-floor facades. These elaborately carved and brightly painted oriels were status symbols of wealthy textile merchants, built during a construction boom between 1650 and 1720. Many bear individual names: the Kamel-Erker, the Pelikan-Erker, the Schwanen-Erker, and the poetically named Allbier zum blauen Himmel. The finest examples are concentrated on Spisergasse, Marktgasse, Kugelgasse, and Schmiedgasse.

Notker's song

A shy boy who stammers, just like the real Notker Balbulus, discovers that when he sings instead of speaks, his words flow perfectly. His melodies echo through the abbey's stone corridors, inspiring the monks to create the first musical sequences. Together with his friends Tuotilo and Ratpert, the boy learns that what the world calls a weakness can become the source of extraordinary art.

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Notker Balbulus ('the Stammerer', c. 840--912) was a Benedictine monk, composer, poet, and librarian at the Abbey of St. Gall. He authored the Liber Hymnorum, an important collection of early musical sequences, and the Gesta Karoli Magni, an early biography of Charlemagne. He helped make St. Gall one of the most important centres of early medieval music. Educated alongside Tuotilo and Ratpert, all three were composers who made the abbey a beacon of Carolingian and Ottonian culture.

The great Bratwurst debate

A child from Zuerich accidentally asks for mustard at a St. Gallen sausage stand, sparking a humorous culinary adventure through the centuries. The city's butchers take the child on a journey from the 1438 guild hall to a modern Bratwurst stand, teaching the sacred art of the St. Galler Bratwurst and why, for nearly 600 years, it has been eaten one way only: ohne Senf.

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The St. Galler Bratwurst is a culinary institution, with its recipe first recorded in the 1438 statutes of the Butchers' Guild (Metzgerzunft). Made from veal (50%+), bacon, spices, and fresh milk, it holds PGI (Protected Geographical Indication) status. The cardinal rule is 'Ohne Senf!' (without mustard) -- requesting mustard with a St. Galler Bratwurst is considered a serious cultural faux pas. Locals insist the sausage's delicate flavour needs no masking.

The pig who won the race

At the OLMA fair, a small runt piglet named Rosa is not expected to win the famous Saeulirennen. But with encouragement from a farm child who believes in her, Rosa outruns them all to the feeding trough, becoming the unlikely champion of Switzerland's biggest fair and proving that even the smallest competitor can surprise 3,000 cheering spectators.

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The OLMA (Schweizer Messe fuer Landwirtschaft und Ernaehrung) is Switzerland's largest public fair, held annually in October in St. Gallen since 1943, growing from an agricultural exhibition first held in 1941 during wartime supply shortages. It draws 370,000 to 390,000 visitors per year. The star attraction since 1997 has been the Saeulirennen (pig race), where trained female pigs race toward a feeding trough before 3,000 cheering spectators.

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